Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
First room, north wall

Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
Madame Cezanne in a Yellow ChairPaul Cézanne, 1888–90Courtesy of the Art Institute of Chicago 
Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art 
Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago
First room, south wall

Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art 
The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
Second room, south wall

Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago
Second room, north wall

Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art 
Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago 
Woman in Front of a Still Life by CezannePaul Gauguin, 1890Courtesy of the Art Institute of Chicago 
In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
Third room, north wall

Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art