Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Lucrezia di Lippo di Iacopo GuidiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago 
The Academy of Baccio BandinelliEnea Vico, 1544/50, printed c. 1560sCourtesy of the Art Institute of Chicago 
Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art 
Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art
Section 1, south wall

The Power of Women: Samson and DelilahLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art 
Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago 
Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago 
The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago
Section 2, south wall

The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art 
Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art 
Farmhouse on the Slope of a HillFra Bartolommeo, c. 1508Courtesy of the Cleveland Museum of Art 
Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago
Section 2, north wall

The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art 
Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art 
The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago