Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art 
Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael, c. 1507–8Courtesy of the Cleveland Museum of Art 
Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art
Section 1, south wall

Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago 
Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art 
The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art 
The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago
Section 2, south wall

The Passion: The Agony in the GardenMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art 
Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art 
The AnnunciationJean Hey (called Master of Moulins), 1490–95Courtesy of the Art Institute of Chicago 
The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago
Section 2, north wall

Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art 
A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago 
Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago 
The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago