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Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

62 works · hang 8109 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of oil on panel.
    Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago
  2. Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden. Beneath a dense and heavy yellow sky, a small blue triangle suggesting a mountain peak crests above the treeline at far left.
    The Poet's GardenVincent van Gogh, 1888Courtesy of the Art Institute of Chicago
  3. A work made of color lithograph on ivory laid paper.
    BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago
  4. A work made of oil on vellum.
    At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Study for "A Sunday on La Grande Jatte", by Georges Seurat, 1884
    Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
  2. Brünnhilde in Twilight of the Gods, by Odilon Redon, 1894
    Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art
  3. Landscape with Wheelbarrow, by Vincent van Gogh, 1883
    Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art
  4. A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.
    Weeping TreeVincent van Gogh, 1889Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. André Bénac, by Édouard Vuillard, 1936
    André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art
  2. In My Dream I Saw in the Sky a Face of Mystery, by Odilon Redon, 1885
    In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
  3. Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
    Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  4. The Large Tree, by Paul Gauguin, 1891
    The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. The image shows two women walking arm in arm, both in traditional attire. One woman is facing away with a slight profile, while the other is seen from the side. Their faces are stylized and simplistic with covered hair. They wear long dresses with aprons and collars, and one has a striped apron. Haystacks and greenery surround them. Faint figures are in the background, as well as a spire-like structure. A dog is seen near the haystack, with simple lines suggesting a landscape.
    Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington
  2. Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, by Paul Cézanne, 1888–90
    Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art
  3. Mount Sainte-Victoire, by Paul Cézanne, c. 1904
    Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art
  4. Head of a Tahitian Woman, by Paul Gauguin, 1891
    Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art