Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Circus Sideshow (Parade de cirque)Georges Seurat, 1887–88Courtesy of The Metropolitan Museum of Art 
Moulin de la GaletteHenri de Toulouse-Lautrec, 1889Courtesy of the Art Institute of Chicago 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago 
Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
Madame Cezanne in a Yellow ChairPaul Cézanne, 1888–90Courtesy of the Art Institute of Chicago
Section 2, south wall

At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art 
IrisesVincent van Gogh, 1890Courtesy of The Metropolitan Museum of Art 
Auvers, Panoramic ViewPaul Cézanne, 1873–75Courtesy of the Art Institute of Chicago 
Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington
Section 2, north wall

Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
Section 3, north wall

A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago 
Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art 
The Vase of TulipsPaul Cézanne, c. 1890Courtesy of the Art Institute of Chicago