Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art 
Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art 
Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
Section 1, south wall

At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago 
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art 
Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago
Section 2, south wall

Homage to GoyaOdilon Redon, 1885Courtesy of the Cleveland Museum of Art 
Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art 
Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art 
Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago
Section 2, north wall

OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art 
In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art 
The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago 
Aman-Jean (Portrait of Edmond François Aman-Jean)Georges Seurat, 1882–83Courtesy of The Metropolitan Museum of Art