Ochre Editions
SearchSign inCart (0)

Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

53 works · hang 9361 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”
    Alexander and BucephalusEdgar Degas, 1861/1862Courtesy National Gallery of Art, Washington
  2. A work made of oil on canvas.
    The LaundressPierre-Auguste Renoir, 1877–79Courtesy of the Art Institute of Chicago
  3. The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), by Pierre-Auguste Renoir, 1888
    The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)Pierre-Auguste Renoir, 1888Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Sheet of Studies and Sketches, by Edgar Degas, 1858
    Sheet of Studies and SketchesEdgar Degas, 1858Courtesy of the Cleveland Museum of Art
  2. Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for "La Famille Cardinal" by Ludovic Halévy, by Edgar Degas, c. 1880–83
    Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for "La Famille Cardinal" by Ludovic HalévyEdgar Degas, c. 1880–83Courtesy of the Cleveland Museum of Art
  3. Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.
    Paris Street; Rainy DayGustave Caillebotte, 1877Courtesy of the Art Institute of Chicago

Second room, south wall

  1. A work made of oil on canvas.
    Landscape at ChaillyFrédéric Bazille, 1865Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    Rabbit Warren at Pontoise, SnowCamille Pissarro, 1879Courtesy of the Art Institute of Chicago
  3. We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”
    Rouen Cathedral, West FaçadeClaude Monet, 1894Courtesy National Gallery of Art, Washington

Second room, north wall

  1. Dancers, by Edgar Degas, c. 1896
    DancersEdgar Degas, c. 1896Courtesy of the Cleveland Museum of Art
  2. A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
    A Woman Seated at a Bench on the Avenue du BoisBerthe Morisot, 1885Courtesy of The Metropolitan Museum of Art
  3. Self-Portrait, by Edgar Degas, 1857
    Self-PortraitEdgar Degas, 1857Courtesy of the Cleveland Museum of Art
  4. Jalais Hill, Pontoise, by Camille Pissarro, 1867
    Jalais Hill, PontoiseCamille Pissarro, 1867Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878
    Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)Pierre-Auguste Renoir, 1878Courtesy of The Metropolitan Museum of Art
  2. Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.
    The Beach at Sainte-AdresseClaude Monet, 1867Courtesy of the Art Institute of Chicago
  3. A work made of oil on canvas.
    Alfred SisleyPierre-Auguste Renoir, 1876Courtesy of the Art Institute of Chicago