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16th-century Germany

Works made in Germany in the 16th century.

28 works · hang 4667 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.
    Saint ChristopherLucas Cranach the Elder, 1506Courtesy National Gallery of Art, Washington
  2. Music-Making Angels, by Albrecht Dürer, 1521
    Music-Making AngelsAlbrecht Dürer, 1521Courtesy of The Metropolitan Museum of Art
  3. Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532
    Hermann von Wedigh III (died 1560)Hans Holbein the Younger, 1532Courtesy of The Metropolitan Museum of Art
  4. Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508
    Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art

First room, south wall

  1. The image shows a central person standing with both arms raised. They have a long beard, aged appearance, long hair, and wear a robe. Three other individuals are around them, reclining or lying on the ground. The setting is an outdoor scene with detailed trees and vegetation. There are initials "I.SP" in the top right corner.
    The Agony in the GardenSebald Beham, 1522Courtesy National Gallery of Art, Washington
  2. Dead Blue Roller, by Hans Hoffmann, 1583
    Dead Blue RollerHans Hoffmann, 1583Courtesy of the Cleveland Museum of Art
  3. This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word "PACIENTIA." On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.
    Pacientia (Patience)Sebald Beham, 1540Courtesy National Gallery of Art, Washington
  4. Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.
    Margarethe Vöhlin [obverse]Bernhard Strigel, 1527Courtesy National Gallery of Art, Washington

Second room, south wall

  1. This is a painting depicting a heraldic coat of arms. The image features a detailed coat of arms with a central shield, adorned with black and gold sections, and additional decorative elements above it. There is a figure resembling a unicorn emerging from the crest. The background is a deep red hue. The artwork is displayed within a wooden frame with crossbars. This style is associated with displaying family crests and lineage.
    Hans Roth [reverse]Bernhard Strigel, 1527Courtesy National Gallery of Art, Washington
  2. Arm of Eve, by Albrecht Dürer, 1507
    Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art
  3. The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.
    Mountainous Landscape with a VillageHanns Lautensack, 1553Courtesy National Gallery of Art, Washington
  4. Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519
    Virgin and Child with Saint AnneAlbrecht Dürer, probably 1519Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519
    The Entrance Hall of the Regensburg SynagogueAlbrecht Altdorfer, 1519Courtesy of The Metropolitan Museum of Art
  2. The Judgment of Paris, by Lucas Cranach the Elder, ca. 1528
    The Judgment of ParisLucas Cranach the Elder, ca. 1528Courtesy of The Metropolitan Museum of Art
  3. The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.
    Margarethe Vöhlin [reverse]Bernhard Strigel, 1527Courtesy National Gallery of Art, Washington
  4. Melencolia I, by Albrecht Dürer, 1514
    Melencolia IAlbrecht Dürer, 1514Courtesy of The Metropolitan Museum of Art