Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art 
Women Viewing Cherry Blossoms at AsukayamaKatsukawa Shunchô, 1780sCourtesy of the Cleveland Museum of Art 
Lovers Walking in the Snow (Crow and Heron)Suzuki Harunobu, 1764–72Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Tobacco Pouch and PipeKubo Shunman, 1813Courtesy of The Metropolitan Museum of Art 
Snowy Morning from Koishikawa (Koishikawa yuki no ashita), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago 
View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art
Section 2, south wall

A Spring OutingSuzuki Harunobu, c. 1768Courtesy of the Art Institute of Chicago 
Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art 
The Actor Ichikawa Danjuro IV in a "Shibaraku" Role, Possibly from the Play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1768Katsukawa Shunshō, c. 1768Courtesy of the Art Institute of Chicago
Section 2, north wall

Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art 
Image of a Japanese Woman (Fujo Yamato sugata)Utagawa Kunisada I (Toyokuni III), c. 1830/35Courtesy of the Art Institute of Chicago
Section 3, north wall

Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone GoroOkumura Masanobu, 1740Courtesy of the Cleveland Museum of Art 
The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art
Section 3, south wall

Courting Komachi (Kayoi Komachi), from the series Seven Fashionable Figures of Ono no Komachi (Furyu nana Komachi yatushi sugata-e)Utagawa Toyokuni, Edo period (1615–1868), about 1792Courtesy of the Art Institute of Chicago 
“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art