Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro, previewed as a 20 by 16 inch giclée reproduction.

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Okumura Masanobu

Japanese, 1686–1764

Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro1740

hand-colored woodblock print

Sheet: 40.2 x 63.7 cm (15 13/16 x 25 1/16 in.)

Courtesy of the Cleveland Museum of Art · 1916.1154

The print illustrates the typical interior of a Kabuki theater. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 11
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The print illustrates the typical interior of a Kabuki theater. The stage was connected to the audience by the hanamichi , the ramp or runway extending from the stage to the rear of the theater over which the actors would strut in dramatic roles. Patrons often stayed all day for the plays. Unlike quiet Western audiences, Kabuki fans were spirited, buying food from vendors and even shouting praises to their favorite actors as they came onto the stage. In 1734, the first Japanese manual on perspective was printed. Masanobu was probably the first printmaker to use this method of describing three-dimensional space on a two-dimensional support. He helped popularize the perspective print, and he introduced other innovations such as two-color printing and hand-coloring—this print is hand-colored using yellow, red (tan), and red-brown.

Text from the Cleveland Museum of Art.

How it was made

Hand-coloured
Printed in black, then coloured by hand in watercolour, one sheet at a time.

Okumura Masanobu

Japanese, 1686–1764

Masanobu was a largely self-taught artist of early ukiyo-e who also ran his own publishing house in Edo. Over a long career he worked through the major developments of the period, from black-ink sheets to hand-coloured designs and early two-colour pictures. He was among the first to adapt Western linear perspective in uki-e, deep views of theatre interiors and streets, and he popularised the tall, narrow pillar picture.

Written by Ochre Editions.

See all 4 works by Okumura Masanobu

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1916.1154
Credit
Courtesy of the Cleveland Museum of Art
Type
Print
Department
Japanese Art
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