Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
First room, north wall

The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago 
ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art
First room, south wall

Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art 
Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art
Second room, south wall

Madame Cezanne in a Yellow ChairPaul Cézanne, 1888–90Courtesy of the Art Institute of Chicago 
Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
Second room, north wall

Circus Sideshow (Parade de cirque)Georges Seurat, 1887–88Courtesy of The Metropolitan Museum of Art 
The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art
Third room, north wall

A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago 
Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago
Third room, south wall

The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art 
Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art