Ochre Editions
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Drawings of the 19th century

Drawings made in the 19th century, from every museum.

92 works · hang 645 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.
    Pink RosesFidelia Bridges, 1875Courtesy National Gallery of Art, Washington
  2. This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.
    Soldiers felling sapling, and weaving saplings into baskets [verso]Winslow Homer, 1862Courtesy National Gallery of Art, Washington
  3. Landscape with Wheelbarrow, by Vincent van Gogh, 1883
    Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. EAGLE LAKE, MT. DESERT
    Eagle Lake, Mt. DesertDaniel Huntington, August 23, 1856Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. CENTURY PLANT, JAMAICA
    Century Plant, JamaicaFrederic Edwin Church, May–September 1865Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), by Francisco Goya, ca. 1816–20
    God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Francisco Goya, ca. 1816–20Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Tahitian Faces (Frontal View and Profiles), by Paul Gauguin, ca. 1899
    Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art
  2. SOLDIER WITH SWORD AND PIPE
    Soldier with Sword and PipeWinslow Homer, 1862Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. THE OLD HOPKINSON HOUSE, BORDENTOWN, NJ
    The Old Hopkinson House, Bordentown, NJFrancis Hopkinson Smith, ca. 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, north wall

  1. This image is a pencil sketch on paper with a monochrome palette of graphite gray. The viewer sees various scenes without a defined horizon line. The upper section shows figures in period clothing, possibly mid-19th century women's fashion. The middle area has abstract architectural forms. In the lower right corner, a sailing ship or boat is sketched with more detail than the rest. The drawing style consists of quick, expressive strokes. The image conveys multiple narrative or compositional ideas on a single sheet.
    Seaside StudiesEugène Isabey, 1830sCourtesy National Gallery of Art, Washington
  2. Orpheus, by Odilon Redon, c. 1903–10
    OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), by Jean Auguste Dominique Ingres, 1818
    The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)Jean Auguste Dominique Ingres, 1818Courtesy of The Metropolitan Museum of Art
  2. Bray Church Yard, by John Varley, 1807
    Bray Church YardJohn Varley, 1807Courtesy of the Cleveland Museum of Art
  3. ROOKWOOD POTTERY
    Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 3, south wall

  1. Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
    Niagara Falls by MoonlightFrederic Edwin Church, probably 1856Courtesy of the Cleveland Museum of Art
  2. The image depicts a landscape with a road alongside a canal. The view is elevated, showing the road, canal, trees, and structures on the horizon. The style of the sketch is characterized by soft lines and shading, creating depth. The color palette is monochromatic with shades of gray. Closest to us, a canal borders the road with some ducks in the water. Figures and carts are seen on the road leading into the distance.
    Arrivee au MarcheAuguste LepèreCourtesy National Gallery of Art, Washington