Bray Church Yard1807
The inscription on the reverse of this drawing, "Bray Church Yard-1807," likely refers to St. More about this work
About this work
The inscription on the reverse of this drawing, "Bray Church Yard-1807," likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors. His pursuit of the picturesque led the artist to turn his back on London and its connotations of commerce and industry, focusing instead on the rural aspects of the scene.
Text from the Cleveland Museum of Art.
How it was made
- Watercolour
- Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
- Graphite
- Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.
John Varley
British, 1778–1842
Rights and the museum’s record
Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1940.564
- Credit
- Courtesy of the Cleveland Museum of Art
- Type
- Drawing
- Department
- Drawings
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
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Close in colour
