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Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

53 works · hang 164 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. After the Bath, by Mary Cassatt, 1901
    After the BathMary Cassatt, 1901Courtesy of the Cleveland Museum of Art
  2. By the Seashore, by Pierre-Auguste Renoir, 1883
    By the SeashorePierre-Auguste Renoir, 1883Courtesy of The Metropolitan Museum of Art
  3. Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.
    Yellow Dancers (In the Wings)Edgar Degas, 1874–76Courtesy of the Art Institute of Chicago

First room, south wall

  1. Romaine Lacaux, by Pierre-Auguste Renoir, 1864
    Romaine LacauxPierre-Auguste Renoir, 1864Courtesy of the Cleveland Museum of Art
  2. Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868
    Édouard Manet, Seated, Holding His HatEdgar Degas, ca. 1868Courtesy of The Metropolitan Museum of Art
  3. In the Omnibus, by Mary Cassatt, 1890–91
    In the OmnibusMary Cassatt, 1890–91Courtesy of the Cleveland Museum of Art
  4. A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”
    A Creek in St. Thomas (Virgin Islands)Camille Pissarro, 1856Courtesy National Gallery of Art, Washington

Second room, south wall

  1. A work made of oil on canvas.
    VétheuilClaude Monet, 1901Courtesy of the Art Institute of Chicago
  2. Jalais Hill, Pontoise, by Camille Pissarro, 1867
    Jalais Hill, PontoiseCamille Pissarro, 1867Courtesy of The Metropolitan Museum of Art
  3. Fishmarket, by Camille Pissarro, 1902
    FishmarketCamille Pissarro, 1902Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), by Pierre-Auguste Renoir, 1888
    The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)Pierre-Auguste Renoir, 1888Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on canvas.
    Mill of Pont MaupuitJean Baptiste Armand Guillaumin, c. 1900Courtesy of the Art Institute of Chicago
  3. Self-Portrait, by Edgar Degas, 1857
    Self-PortraitEdgar Degas, 1857Courtesy of the Cleveland Museum of Art

Third room, north wall

  1. Roses in a Vase, by Pierre-Auguste Renoir, c. 1890
    Roses in a VasePierre-Auguste Renoir, c. 1890Courtesy of the Cleveland Museum of Art
  2. A work made of oil on canvas.
    The LaundressPierre-Auguste Renoir, 1877–79Courtesy of the Art Institute of Chicago
  3. The Dance Class, by Edgar Degas, 1874
    The Dance ClassEdgar Degas, 1874Courtesy of The Metropolitan Museum of Art