By the Seashore, previewed as a 16 by 20 inch giclée reproduction.

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Pierre-Auguste Renoir

French, 1841–1919

By the Seashore1883

Oil on canvas

36 1/4 x 28 1/2 in. (92.1 x 72.4 cm)

Courtesy of The Metropolitan Museum of Art · 29.100.125

A young woman sits in a wicker chair by the sea, the water and cliffs behind her painted in loose, feathery strokes while her face and clothes are more carefully defined. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A young woman sits in a wicker chair by the sea, the water and cliffs behind her painted in loose, feathery strokes while her face and clothes are more carefully defined. Renoir made the picture in 1883, when he was questioning Impressionism and seeking firmer drawing, and the contrast between the polished figure and the airy background shows that transition. The model is generally thought to be Aline Charigot, who later became his wife.

Written by Ochre Editions.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Pierre-Auguste Renoir

French, 1841–1919 · Born in Limoges; died in Cagnes-sur-Mer.

Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light. A journey to Italy in 1881–82 led him towards firmer drawing and more classical compositions. Despite severe rheumatoid arthritis in later life he continued to paint, settling at Cagnes-sur-Mer on the Mediterranean, where he died.

Written by Ochre Editions.

See all 12 works by Pierre-Auguste Renoir

Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

More from Impressionism

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
29.100.125
Credit
Courtesy of The Metropolitan Museum of Art
Type
Paintings
Department
European Paintings
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