Three Girls and River, previewed as a 20 by 16 inch giclée reproduction.

Look closer

See it on a wall

Louis M. Eilshemius

New Jersey, 1864–1941

Three Girls and River1907

oil on fiberboard

23 x 27 in. (58.5 x 68.5 cm)

Courtesy of the Smithsonian American Art Museum · 1980.34.3

Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 187 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 16 × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. In Three Girls and River, three nude women relax in a bucolic setting with lush trees and a babbling river. The figures seem to be together, but they do not interact and appear blissfully uninhibited by each other and their surroundings. By placing the dreamlike figures in a picturesque yet familiar setting, Eilshemius blurred the line between reality and fantasy.

Text from the Smithsonian American Art Museum.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Louis M. Eilshemius

New Jersey, 1864–1941

Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers. Marcel Duchamp singled out his work at the 1917 exhibition of the Society of Independent Artists, and modernist circles later championed him, but he had stopped painting around 1921 and spent his last decades writing eccentric, self-promoting pamphlets and letters.

Written by Ochre Editions.

See all 4 works by Louis M. Eilshemius

Rights and the museum’s record

Public domain. The Smithsonian American Art Museum has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1980.34.3
Credit
Courtesy of the Smithsonian American Art Museum
Type
Painting
Department
Painting and Sculpture
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Louis M. Eilshemius

All their works

Close in colour