Two Sisters (On the Terrace), previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Pierre-Auguste Renoir

French, 1841–1919

Two Sisters (On the Terrace)1881

Oil on canvas

100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 9.6 cm (46 7/8 × 39 3/8 × 3 3/4 in.)

Courtesy of the Art Institute of Chicago · 1933.455

Despite the title, the young women in this painting were not actually sisters. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 17
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

Despite the title, the young women in this painting were not actually sisters. The older girl in the center gazes absently beyond her younger companion, whose red cheeks suggest that she just dashed into the picture. These casual expressions make this “sisterly” moment feel genuine. Renoir juxtaposed the girls’ figures against a dreamy landscape, the basket of yarn evoking an artist’s palette.

Text from the Art Institute of Chicago.

What you’re looking at

Impressionist painting of two girls on balcony, bright flower hat, knitting basket.

Description from the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Pierre-Auguste Renoir

French, 1841–1919 · Born in Limoges; died in Cagnes-sur-Mer.

Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light. A journey to Italy in 1881–82 led him towards firmer drawing and more classical compositions. Despite severe rheumatoid arthritis in later life he continued to paint, settling at Cagnes-sur-Mer on the Mediterranean, where he died.

Written by Ochre Editions.

See all 12 works by Pierre-Auguste Renoir

Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

More from Impressionism

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1933.455
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Pierre-Auguste Renoir

All their works

Close in colour