The Watermill with the Great Red Roof, previewed as a 20 by 16 inch giclée reproduction.

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Meindert Hobbema

Dutch, 1638–1709

The Watermill with the Great Red Roofc. 1665

Oil on canvas

81.3 × 110 cm (32 × 43 1/4 in.); Framed: 101.3 × 130.5 × 8.3 cm (39 7/8 × 51 3/8 × 3 1/4 in.)

Courtesy of the Art Institute of Chicago · 1894.1031

A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 13
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky. Meindert Hobbema, a pupil of Jacob van Ruisdael, made watermills one of his favourite subjects, painting the same or similar mills many times in the 1660s. His landscapes, with their dappled light and carefully observed textures of wood, water and leaves, were especially admired by British collectors in later centuries.

Written by Ochre Editions.

What you’re looking at

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.

Description from the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Meindert Hobbema

Dutch, 1638–1709

Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads. In 1668 he married and took a post as a wine gauger for the city of Amsterdam, after which he painted far less. Long overlooked, his work was keenly collected in Britain in the nineteenth century and influenced English landscape painting.

Written by Ochre Editions.

See all 4 works by Meindert Hobbema

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1894.1031
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
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