A Cottage in the Woods, previewed as a 20 by 16 inch giclée reproduction.

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Meindert Hobbema

Dutch, 1638–1709

A Cottage in the Woodsc. 1662

oil on canvas

Framed: 122.5 x 149 x 12 cm (48 1/4 x 58 11/16 x 4 3/4 in.); Unframed: 84 x 111.4 cm (33 1/16 x 43 7/8 in.)

Courtesy of the Cleveland Museum of Art · 1942.641

Inspired by the native Dutch landscape, Meindert Hobbema specialized in scenes of dense forest growth punctured by winding paths and views toward sunlit clearings that beckon with fertile fields and rustic cottages. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Inspired by the native Dutch landscape, Meindert Hobbema specialized in scenes of dense forest growth punctured by winding paths and views toward sunlit clearings that beckon with fertile fields and rustic cottages. Hobbema’s paintings were especially popular among Dutch citizens, who took enormous pride in their land. In addition to nationalistic pride in having recently gained independence from Spain, there was also a profound awareness of the preciousness of land in a low-lying nation, which required dikes, pumps, and constant vigilance to guard against flooding. While the Dutch earned much of their considerable wealth from sea trade, agriculture and livestock were important sources of prosperity.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Meindert Hobbema

Dutch, 1638–1709

Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads. In 1668 he married and took a post as a wine gauger for the city of Amsterdam, after which he painted far less. Long overlooked, his work was keenly collected in Britain in the nineteenth century and influenced English landscape painting.

Written by Ochre Editions.

See all 4 works by Meindert Hobbema

Dutch Golden Age

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

More from Dutch Golden Age

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1942.641
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
European Painting and Sculpture
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