Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
First room, north wall

The Dancing LessonThomas Eakins, 1878Courtesy of The Metropolitan Museum of Art 
Washington Crossing the DelawareEmanuel Leutze, 1851Courtesy of The Metropolitan Museum of Art
First room, south wall

The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art 
Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art
Second room, south wall

Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution 
The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art 
Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art 
Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
Second room, north wall

NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art 
Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art 
Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum 
Newburyport MeadowsMartin Johnson Heade, ca. 1876–81Courtesy of The Metropolitan Museum of Art
Third room, north wall

Roses in a VaseUnrecorded French maker, 1880/1900Courtesy National Gallery of Art, Washington 
Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art
Third room, south wall

Reapers Resting in a Wheat FieldJohn Singer Sargent, 1885Courtesy of The Metropolitan Museum of Art 
Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art