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Early modernism

The first decades of the twentieth century, when artists broke with the academy.

68 works · hang 5145 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Golden Star (Chrysogonum virginianum), by Mary Vaux Walcott, 1922
    Golden Star (Chrysogonum virginianum)Mary Vaux Walcott, 1922Courtesy of the Smithsonian American Art Museum
  2. THE TRIUMPH OF UNCLE SAM
    The Triumph of Uncle SamVictor Wilbour, 1917Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. This painting shows a large jug filled with orange flowers on a woven brown surface, with three small oranges placed in front of it. The bottom half of the jug is a brownish-red color, while the top part and handles are a light tan. The jug is centered, with flowers extending slightly to the sides. The flowers in the vase are surrounded by dark green leaves and buds. The wall behind the vase is a light gray color, and the vase casts a light shadow on it.
    Marigolds and TangerinesFélix Vallotton, 1924Courtesy National Gallery of Art, Washington
  4. Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.
    Fisherman's CottageHarald Oscar Sohlberg, 1906Courtesy of the Art Institute of Chicago

First room, south wall

  1. The Repast of the Lion, by Henri Rousseau, ca. 1907
    The Repast of the LionHenri Rousseau, ca. 1907Courtesy of The Metropolitan Museum of Art
  2. The River, by Maxime Maufra, 1902
    The RiverMaxime Maufra, 1902Courtesy of the Cleveland Museum of Art
  3. Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting. The person’s clothing and features are outlined with thin black lines, and areas are filled in with mottled, streaked color painted with visible strokes. The person has a round face with a double chin and a small red mouth. The eyes are painted as slate-blue slivers under thin brows, one of which is cocked. The man’s short black hair is parted to one side and combed across the top of his head. He wears a white cravat tied at his neck under a rust-red jacket or shirt. Two rounded, muted blue forms below suggest crossed knees. The man’s right elbow rests next to his body, and that hand is near his lap. The background is painted with pecan brown on the left third and gray-blue on the right two-thirds.
    Monsieur DeleuAmedeo Modigliani, 1916Courtesy National Gallery of Art, Washington

Second room, south wall

  1. Peasant Girl, by Alice Pike Barney, 1900
    Peasant GirlAlice Pike Barney, 1900Courtesy of the Smithsonian American Art Museum
  2. Calligraphic Interior, by H. Lyman Saÿen, ca. 1915
    Calligraphic InteriorH. Lyman Saÿen, ca. 1915Courtesy of the Smithsonian American Art Museum
  3. Mary, by Henry Ossawa Tanner, ca. 1914
    MaryHenry Ossawa Tanner, ca. 1914Courtesy of the Smithsonian American Art Museum
  4. Watercolor no. 31, Landscape with Clouds, by Allen Tucker, ca. 1930
    Watercolor no. 31, Landscape with CloudsAllen Tucker, ca. 1930Courtesy of the Smithsonian American Art Museum

Second room, north wall

  1. Hooded Warblers, study for book Concealing Coloration in the Animal Kingdom, by Gladys Thayer, ca. 1900-1909
    Hooded Warblers, study for book Concealing Coloration in the Animal KingdomGladys Thayer, ca. 1900-1909Courtesy of the Smithsonian American Art Museum
  2. Two Gulls and Cliffs, by Louis M. Eilshemius, ca. 1913-1921
    Two Gulls and CliffsLouis M. Eilshemius, ca. 1913-1921Courtesy of the Smithsonian American Art Museum
  3. October Morning, by Frank A. Bicknell, ca. 1910
    October MorningFrank A. Bicknell, ca. 1910Courtesy of the Smithsonian American Art Museum

Third room, north wall

  1. Large painting, standing man blue turtleneck, sitting woman with white collar.
    Jacques and Berthe LipchitzAmedeo Modigliani, 1916Courtesy of the Art Institute of Chicago
  2. Mountain Landscape with Fir Trees, by Ernst Ludwig Kirchner, 1918/19
    Mountain Landscape with Fir TreesErnst Ludwig Kirchner, 1918/19Courtesy of the Cleveland Museum of Art