October Morning, previewed as a 16 by 12 inch giclée reproduction.

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Frank A. Bicknell

born Augusta, ME 1866-died Essex, CT 1943

October Morningca. 1910

oil on canvas

32 1/8 x 39 3/8 in. (81.5 x 99.9 cm.)

Courtesy of the Smithsonian American Art Museum · 1910.9.15

Frank Bicknell may have painted October Morning during one of his many stays at the artists' colony in Old Lyme, Connecticut. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 199 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 12 in · image 12½ × 10¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$42

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About this work

Frank Bicknell may have painted October Morning during one of his many stays at the artists' colony in Old Lyme, Connecticut. In a 1907 letter to Florence Griswold, who rented rooms to artists, he revealed his desire to come to the colony for both inspiration and camaraderie: "Will you stow me away somewhere in the big house about the last week in Septembre? Or the first week of Octobre at the latest? Please do not say no—Put me in the Barn if you will—but come to Lyme I must sometime this Autumn." In this painting, Bicknell captured the moment the sun rises to reveal the country landscape. Soft colors and brushstrokes, combined with the cool morning light, give the painting an otherworldly quality. Lush trees climb a small hill on the right side of the canvas. The left side is open, revealing the mountains in the distance. This asymmetrical arrangement shows the influence of Japanese woodblock prints. American impressionist painters, including Bicknell, studied these prints, experimenting with Japanese perspective and space to create compositions in which the subject was not always at the center.

Text from the Smithsonian American Art Museum.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Frank A. Bicknell

born Augusta, ME 1866-died Essex, CT 1943

Rights and the museum’s record

Public domain. The Smithsonian American Art Museum has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1910.9.15
Credit
Courtesy of the Smithsonian American Art Museum
Type
Painting
Department
Painting and Sculpture
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