Ochre Editions
SearchSign inCart (0)

The American Gilded Age

Painting and design in the United States from the Civil War to 1910.

67 works · hang 2560 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Landscape, by George Inness, 1888
    LandscapeGeorge Inness, 1888Courtesy of the Cleveland Museum of Art
  2. The Witch's Daughter, by Frederick Stuart Church, 1881
    The Witch's DaughterFrederick Stuart Church, 1881Courtesy of the Smithsonian American Art Museum
  3. James Abbott McNeill Whistler
    Girl in Black (Pouting Tom)James McNeill Whistler, (1896-1901)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

First room, south wall

  1. Repose, by John White Alexander, 1895
    ReposeJohn White Alexander, 1895Courtesy of The Metropolitan Museum of Art
  2. The Old Road to the Sea, by William Merritt Chase, c. 1893
    The Old Road to the SeaWilliam Merritt Chase, c. 1893Courtesy of the Cleveland Museum of Art

Second room, south wall

  1. Artist: Thomas Cowperthwaite Eakins, Sitter: Talcott Williams, Current owner: National Portrait Gallery, Smithsonian Institution
    Talcott WilliamsThomas Eakins, c. 1889Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.
    Pink RosesFidelia Bridges, 1875Courtesy National Gallery of Art, Washington
  3. A young, gangly, brown-skinned boy sits on a green chair and leans over the banjo he plays in this loosely painted, vertical composition. His body faces our right in profile, and his head leans to his left and away from us. Light comes from our left to highlight his ear and the side of his chin, but throws his profile into shadow against the lighter background. The boy has short black hair and wears a white shirt with the sleeves rolled up, black pants, and black shoes. The floor is loosely painted with streaks of earth brown, taupe, and dark moss green. The wall behind the boy is painted with visible strokes of parchment brown, peachy tan, pearl white, and fog gray. The space to our left of the boy is dark brown, and an outline of a standing person is sketched in the top left corner. A grid is overlaid across the boy’s body and the chair.
    Study for "The Dancing Lesson": The Banjo PlayerThomas Eakins, probably 1877Courtesy National Gallery of Art, Washington
  4. IN CLOISTER OF CATHEDREAL, LE PUY
    In Cloister of Cathedreal, Le PuyArnold William Brunner, 1883Courtesy of Cooper Hewitt, Smithsonian Design Museum

Second room, north wall

  1. Stag at Sharkey's, by George Bellows, 1909
    Stag at Sharkey'sGeorge Bellows, 1909Courtesy of the Cleveland Museum of Art
  2. The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908
    The Race Track (Death on a Pale Horse)Albert Pinkham Ryder, c. 1896–1908Courtesy of the Cleveland Museum of Art
  3. Thomas Eakins
    Portrait of Mrs. Helen Mac Knight (Portrait of a Mother)Thomas Eakins, (c. 1903)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Third room, north wall

  1. Cartoon for mural of Minnesota State Capital, "Institute of Justice", by Kenyon Cox, ca. 1904
    Cartoon for mural of Minnesota State Capital, "Institute of Justice"Kenyon Cox, ca. 1904Courtesy of the Smithsonian American Art Museum
  2. Study for "The Dancing Lesson": The Boy, by Thomas Eakins, probably 1877
    Study for "The Dancing Lesson": The BoyThomas Eakins, probably 1877Courtesy National Gallery of Art, Washington
  3. Checker Players, by Thomas Anshutz, ca. 1895
    Checker PlayersThomas Anshutz, ca. 1895Courtesy of the Smithsonian American Art Museum
  4. DRAPERY STUDY
    Drapery StudyFrancis Augustus Lathrop, ca. 1895Courtesy of Cooper Hewitt, Smithsonian Design Museum