The Old Road to the Sea, previewed as a 20 by 16 inch giclée reproduction.

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William Merritt Chase

American, 1849–1916

The Old Road to the Seac. 1893

oil on canvas

Framed: 134.3 x 159.7 x 10.8 cm (52 7/8 x 62 7/8 x 4 1/4 in.); Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Former: 118.5 x 144 x 5.5 cm (46 5/8 x 56 11/16 x 2 3/16 in.)

Courtesy of the Cleveland Museum of Art · 1938.333

One of the most influential of the American Impressionists, William Merritt Chase established his own summer school at Shinnecock, on the eastern tip of Long Island, New York. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 199 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17 × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

One of the most influential of the American Impressionists, William Merritt Chase established his own summer school at Shinnecock, on the eastern tip of Long Island, New York. Attracted to the low-lying dunes and beaches, Chase and his students were among the first American artists to pursue open-air painting. With its varied brushwork and warm colors, this painting is among the finest works Chase produced at Shinnecock. The panoramic scene glows with the light of a summer day. The Chase school at Shinnecock, active from 1891-1902, was instrumental in expanding the influence of Impressionism in the United States.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

William Merritt Chase

American, 1849–1916 · Born in Williamsburg, Indiana; died in New York.

Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase. His style moved from dark Munich realism to bright, quick outdoor painting, seen in his views of city parks and of Shinnecock on Long Island, where he ran a summer school from 1891. He was among the most influential American teachers of his time, and his students included Georgia O’Keeffe and Edward Hopper.

Written by Ochre Editions.

See all 6 works by William Merritt Chase

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1938.333
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
American Painting and Sculpture
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