
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)1741
Canaletto made this in 1741, aged 44. It is now at The Met in New York. More about this work
About this work
Canaletto made this in 1741, aged 44. It is now at The Met in New York.
How it was made
- Etching
- The artist draws with a needle through a waxy coating on a copper plate, and acid bites the exposed lines. The plate is then inked, wiped and printed under pressure, so the line keeps the freedom of drawing.
Canaletto
Italian, 1697–1768 · Born and died in Venice.
Canaletto, the son of a Venetian painter of theatre scenery, turned in the 1720s to painting views of his native city and became its leading vedutista. British travellers on the Grand Tour were his most eager patrons, many through the merchant and consul Joseph Smith. When war cut off that trade he went to England, working there from 1746 to the mid-1750s on views of London and country houses such as Warwick Castle. He also made a set of etchings that includes imaginary views.
Written by Ochre Editions.
Rights and the museum’s record
Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1973.634
- Credit
- Courtesy of The Metropolitan Museum of Art
- Type
- Prints
- Department
- Drawings and Prints
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site














