Warwick Castle: The East Front, previewed as a 20 by 16 inch giclée reproduction.

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Canaletto

Italian, 1697–1768

Warwick Castle: The East Front1752

Pen and brown ink, gray wash

12 7/16 x 22 1/8 in. (31.6 x 56.2 cm)

Courtesy of The Metropolitan Museum of Art · 1975.1.297

Canaletto spent nearly a decade in England from 1746, when war had cut off the flow of British travellers to Venice. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 10
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Canaletto spent nearly a decade in England from 1746, when war had cut off the flow of British travellers to Venice. Among his patrons there was Lord Brooke, owner of Warwick Castle, of which he made several views. In this drawing of the castle’s east front, crisp pen lines define the towers and walls while grey wash lays in shadow and gives the medieval masonry its bulk.

Written by Ochre Editions.

How it was made

Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.

Canaletto

Italian, 1697–1768 · Born and died in Venice.

Canaletto, the son of a Venetian painter of theatre scenery, turned in the 1720s to painting views of his native city and became its leading vedutista. British travellers on the Grand Tour were his most eager patrons, many through the merchant and consul Joseph Smith. When war cut off that trade he went to England, working there from 1746 to the mid-1750s on views of London and country houses such as Warwick Castle. He also made a set of etchings that includes imaginary views.

Written by Ochre Editions.

See all 6 works by Canaletto

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1975.1.297
Credit
Courtesy of The Metropolitan Museum of Art
Type
Drawings
Department
Robert Lehman Collection
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