"The Angel Surush Rescues Khusrau Parviz from a Cul-de-sac", Folio 708v from the Shahnama (Book of Kings) of Shah Tahmasp, previewed as a 16 by 20 inch giclée reproduction.

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Abu'l Qasim Firdausi

Iranian, Paj ca. 940/41–1020 Tus

"The Angel Surush Rescues Khusrau Parviz from a Cul-de-sac", Folio 708v from the Shahnama (Book of Kings) of Shah Tahmaspca. 1530–35

Opaque watercolor, ink, silver, and gold on paper

Painting: H. 13 1/2 in. (34.3 cm) W. 11 in. (27.9 cm) Page: H. 18 5/8 in. (47.3 cm) W. 12 3/8 in. (31.4 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm)

Courtesy of The Metropolitan Museum of Art · 1970.301.73

Fleeing the rebel general Bahram Chubina, the Sasanian king Khusrau Parviz rides into a narrow mountain pass that turns out to be a dead end. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 12 × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Fleeing the rebel general Bahram Chubina, the Sasanian king Khusrau Parviz rides into a narrow mountain pass that turns out to be a dead end. As his pursuers close in, he prays, and the angel Surush appears, takes his hand and leads him to safety. This moment of divine rescue comes near the end of Ferdowsi’s Shahnama, in its historical section on the Sasanian kings. The page belongs to the copy made for Shah Tahmasp around 1530–35, painted by artists of the royal workshop in Tabriz.

Written by Ochre Editions.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Ink on paper
Ink made from soot and animal glue, ground with water on an inkstone. A single brush can give a hair-fine line or a broad wash, and nothing can be corrected.

Abu'l Qasim Firdausi

Iranian, Paj ca. 940/41–1020 Tus

See all 10 works by Abu'l Qasim Firdausi

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1970.301.73
Credit
Courtesy of The Metropolitan Museum of Art
Type
Codices
Department
Islamic Art
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