"Bahram Gur Hunting with Azada", Folio from a Shahnama (Book of Kings), previewed as a 16 by 20 inch giclée reproduction.

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Abu'l Qasim Firdausi

Iranian, Paj ca. 940/41–1020 Tus

"Bahram Gur Hunting with Azada", Folio from a Shahnama (Book of Kings)dated 753 AH/1352 CE

Ink, opaque watercolor, and gold on paper

Painting: H. 3 3/16 in. (8.1 cm) W. 6 in. (15.2 cm) Page: H. 11 1/2 in. (29.2 cm) W. 8 5/16 in. (21.1 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)

Courtesy of The Metropolitan Museum of Art · 57.51.32

The Sasanian king Bahram Gur rides out on a camel with his harpist Azada, who dares him to prove his skill: turn a male gazelle into a female and a female into a male, and pin a gazelle’s hoof to its ear. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13 × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The Sasanian king Bahram Gur rides out on a camel with his harpist Azada, who dares him to prove his skill: turn a male gazelle into a female and a female into a male, and pin a gazelle’s hoof to its ear. He does all three with his arrows, but when she calls the feat demonic he throws her down and tramples her beneath the camel. The episode, from Ferdowsi’s Shahnama, was a favourite with Persian painters because it combines a hunt, a royal display of skill and a moral sting. This page comes from a manuscript of the epic dated 1352.

Written by Ochre Editions.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Ink on paper
Ink made from soot and animal glue, ground with water on an inkstone. A single brush can give a hair-fine line or a broad wash, and nothing can be corrected.

Abu'l Qasim Firdausi

Iranian, Paj ca. 940/41–1020 Tus

See all 10 works by Abu'l Qasim Firdausi

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
57.51.32
Credit
Courtesy of The Metropolitan Museum of Art
Type
Codices
Department
Islamic Art
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