"Zahhak is Told His Fate", Folio 29v from the Shahnama (Book of Kings) of Shah Tahmasp, previewed as a 11 by 14 inch giclée reproduction.

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Abu'l Qasim Firdausi

Iranian, Paj ca. 940/41–1020 Tus

"Zahhak is Told His Fate", Folio 29v from the Shahnama (Book of Kings) of Shah Tahmaspca. 1524

Opaque watercolor, ink, silver, and gold on paper

Painting: H. 7 3/8 in. (18.7 cm) W. 12 15/16 in. (32.9 cm) Page: H. 12 9/16 in. (31.9 cm) W. 18 1/2 in. (47 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm)

Courtesy of The Metropolitan Museum of Art · 1970.301.4

The tyrant Zahhak, from whose shoulders grew two serpents that fed on human brains, dreamed that three warriors attacked him and that the youngest struck him down with a mace shaped like a cow’s head. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 155 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
11 × 14 in · image 8½ × 12¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$38

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About this work

The tyrant Zahhak, from whose shoulders grew two serpents that fed on human brains, dreamed that three warriors attacked him and that the youngest struck him down with a mace shaped like a cow’s head. Terrified, he summoned his wise men; after days of silence one at last dared to explain that a prince named Faridun, not yet born, would take his throne. The episode sets in motion one of the great cycles of Ferdowsi’s Shahnama. This page comes from the copy made for Shah Tahmasp at the Safavid court in Tabriz, one of the most ambitious illustrated books of its age.

Written by Ochre Editions.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Ink on paper
Ink made from soot and animal glue, ground with water on an inkstone. A single brush can give a hair-fine line or a broad wash, and nothing can be corrected.

Abu'l Qasim Firdausi

Iranian, Paj ca. 940/41–1020 Tus

See all 10 works by Abu'l Qasim Firdausi

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1970.301.4
Credit
Courtesy of The Metropolitan Museum of Art
Type
Codices
Department
Islamic Art
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