The Race Track (Death on a Pale Horse), previewed as a 20 by 16 inch giclée reproduction.

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Albert Pinkham Ryder

American, 1847–1917

The Race Track (Death on a Pale Horse)c. 1896–1908

oil on canvas

Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)

Courtesy of the Cleveland Museum of Art · 1928.8

Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 197 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¼ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost. Medieval symbolism infuses the composition: death appears as a skeleton on horseback holding a scythe with which it cuts down the living, while a snake—a sign of temptation and evil—slithers in the foreground. An intense man, Ryder worked on the painting for several years and was deeply reluctant to part with it.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Albert Pinkham Ryder

American, 1847–1917

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1928.8
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
American Painting and Sculpture
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