Renaissance
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art 
Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art 
Saint John the Baptist Entering the WildernessGiovanni di Paolo, 1455–60Courtesy of the Art Institute of Chicago 
Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago
Section 1, south wall

The Passion: Christ Before AnnasMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art 
Noli Me TangerePerugino, 1500–05Courtesy of the Art Institute of Chicago 
The Power of Women: Samson and DelilahLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art 
The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago
Section 2, south wall

The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art 
View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art
Section 2, north wall

The Sacrifice of IsaacAndrea del Sarto, c. 1527Courtesy of the Cleveland Museum of Art 
Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art 
Martyrdom of Saint AndrewGuido Reni, 1600sCourtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago
Section 3, north wall

The Farnese HerculesGiorgio Ghisi, c. 1577Courtesy of the Art Institute of Chicago 
Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago