Christ Crowned with Thorns, previewed as a 16 by 20 inch giclée reproduction.

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Martin Schongauer

German, c. 1450–1491

Christ Crowned with Thorns1470–82

engraving

Courtesy of the Cleveland Museum of Art · 1922.89

Martin Schonaguer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 12½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Martin Schonaguer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life. Schongauer's version focuses on crowded scenes, grotesque physiognomies of Christ's tormentors, and great pathos in the compositions. Here, Jesus is seated on a wooden bench, dressed in a robe and wearing the crown of thorns. His tormentors, including a child, are mocking him and place a reed scepter in his hands.

Text from the Cleveland Museum of Art.

How it was made

Engraving
Lines cut directly into a metal plate with a steel burin, which makes them swell and taper. It took years to master, and for centuries it was how paintings travelled as pictures.

Martin Schongauer

German, c. 1450–1491 · Born in Colmar; died in Breisach.

Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe. His engravings, more than a hundred, brought a new range of tone and texture to the medium and circulated widely; the young Michelangelo copied his Temptation of Saint Anthony, and Dürer travelled to Colmar hoping to meet him, arriving after his death. His Passion series shows his clear, expressive storytelling.

Written by Ochre Editions.

See all 4 works by Martin Schongauer

Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1922.89
Credit
Courtesy of the Cleveland Museum of Art
Type
Print
Department
Prints
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