Ochre Editions
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Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

78 works · hang 1607 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Holy Family with a Shepherd, by Battista Dossi, early 1520s
    Holy Family with a ShepherdBattista Dossi, early 1520sCourtesy of the Cleveland Museum of Art
  2. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago
  3. Portrait of Roberto Castiglione, early 1600s
    Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art
  4. Arm of Eve, by Albrecht Dürer, 1507
    Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Virgin and Child, by Bernardino Luini, 1500s
    Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art
  2. A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.
    The Flight into EgyptDomenico Campagnola, c. 1540Courtesy of the Art Institute of Chicago
  3. Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s
    Battle of the NudesAntonio Pollaiuolo, 1470s–80sCourtesy of the Cleveland Museum of Art
  4. A work made of tempera on panel, transferred to canvas.
    The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of tempera on panel, transferred to canvas.
    Noli Me TangerePerugino, 1500–05Courtesy of the Art Institute of Chicago
  2. This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.
    Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  3. A work made of tempera on panel, transferred to canvas.
    The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago
  4. A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.
    Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572
    Portrait of Vincenzo GuarignoniGiovanni Battista Moroni, c. 1572Courtesy of the Cleveland Museum of Art
  2. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago
  3. The Crucifixion, by Sodoma, 1500s
    The CrucifixionSodoma, 1500sCourtesy of the Cleveland Museum of Art
  4. The Passion: Christ Before Annas, by Martin Schongauer, c. 1480
    The Passion: Christ Before AnnasMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art