Holy Family with a Shepherd, previewed as a 16 by 20 inch giclée reproduction.

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Battista Dossi

Italian, c. 1490–1548

Holy Family with a Shepherdearly 1520s

oil on canvas

Unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.)

Courtesy of the Cleveland Museum of Art · 1949.185

In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 16½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. Before executing this painting, Battista visited Rome, including an extensive study of Raphael's works. Afterward, Battista began a second style of painting, seen in the flexible pose of Christ, the small hands of the adult figures, the high foreheads, and each figure looking sideways or upward. The landscape is impressionistic and grainy as mysterious silvery-blue moonlight accents the thickly wooded landscape. Rich reds, browns, and greens color the picturesque landscapes, typical of Battista's second style. This small painting was originally attributed to Battista Dossi's brother, Dosso. Both brothers served as court painters to the Duke Alfonso I of Ferrara. However, the symmetry and vibrant colors of the painting, as well as the facial styles of the figures, characterize the work of Battista Dossi.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Battista Dossi

Italian, c. 1490–1548

Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

More from Renaissance

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1949.185
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
European Painting and Sculpture
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