Christ and the Woman Taken in Adultery, previewed as a 20 by 16 inch giclée reproduction.

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Sebastiano Ricci

Italian, 1659–1734

Christ and the Woman Taken in Adulterymid-1700s

oil on canvas

Framed: 54.6 x 64.8 x 8.9 cm (21 1/2 x 25 1/2 x 3 1/2 in.); Unframed: 34.6 x 43.5 cm (13 5/8 x 17 1/8 in.)

Courtesy of the Cleveland Museum of Art · 1916.785

The subject originates in the Gospel of John 7:53-8:11, where Pharisees bring a woman accused of adultery to Christ, attempting to trick him into disobeying the Old Testament precept that she be stoned. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 198 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¼ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The subject originates in the Gospel of John 7:53-8:11, where Pharisees bring a woman accused of adultery to Christ, attempting to trick him into disobeying the Old Testament precept that she be stoned. In response, Christ interrupted his writing on the ground, stating: "Let anyone among you who is without sin be the first to throw a stone at her." The Pharisees, unable to retort, gradually disperse, and Christ eventually sends the woman away with an admonition not to sin again. The subject was popular in 18th-century Venice, partly because magnanimity was an important value, celebrated in visual, musical, and literary culture. The showy, exotic subject and the public presentation of an openly sexualized woman also enjoyed popularity in 18th-century Venetian painting. This work is a copy of the picture at the Minneapolis Institute of Arts, perhaps by a student (and certainly not by Ricci himself)

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Sebastiano Ricci

Italian, 1659–1734

Rococo

Light, playful and pastel: the decorative art of eighteenth-century Europe.

More from Rococo

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1916.785
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
European Painting and Sculpture
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