Samuel Warren Holland, Aged Two Years, previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Unknown maker

Samuel Warren Holland, Aged Two Years19th century

oil on wood panel

26 1/8 x 22 1/8 in. (66.5 x 56.1 cm)

Courtesy of the Smithsonian American Art Museum · 1986.65.119

This image of a young boy has been attributed to the artist Milton Hopkins, who painted portraits in New York State and Ohio during the first half of the nineteenth century. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 183 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 13¾ × 16¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

This image of a young boy has been attributed to the artist Milton Hopkins, who painted portraits in New York State and Ohio during the first half of the nineteenth century. We know little about the sitter, Samuel Holland, because there were several people of the same name living in the United States at that time. The artist painted a whip to show that the child was male, a necessary symbol in a period when boys wore skirts until they were five or six. The boy gazes directly at the viewer with large dark eyes that stand out against his pale skin and fair hair, and his fancy costume suggests he was a member of a wealthy household. Early in the nineteenth century, children often died in infancy, and parents commissioned portraits of their sons and daughters as keepsakes.

Text from the Smithsonian American Art Museum.

How it was made

Oil on panel
Oil paint on prepared wooden boards, usually oak in the north and poplar in Italy. The rigid, smooth surface suits fine detail and thin, glowing glazes.
Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.
Rights and the museum’s record

Public domain. The Smithsonian American Art Museum has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1986.65.119
Credit
Courtesy of the Smithsonian American Art Museum
Type
Painting
Department
Painting and Sculpture
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

Close in colour