A Hanging Bouquet of Flowers, previewed as a 16 by 20 inch giclée reproduction.

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Abraham Mignon

German, 1640–1679

A Hanging Bouquet of Flowersprobably 1665/1670

oil on panel

overall: 38.1 x 29.9 cm (15 x 11 3/4 in.) overall (with additions): 39 x 31.1 cm (15 3/8 x 12 1/4 in.) framed: 53.3 x 45.1 x 6.4 cm (21 x 17 3/4 x 2 1/2 in.)

Courtesy National Gallery of Art, Washington · 1992.51.5

Abraham Mignon painted this (probably 1665/1670), aged about 25. It is now at the National Gallery of Art in Washington, DC. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 17¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A bouquet of flowers against a dark brown background hangs from a sapphire-blue bow to fill this vertical still life painting. The three largest blooms make a pyramid at the center. A pale pink, flat-leaved carnation is to the lower right of this trio. A red and white striped tulip with flame-shaped petals is next to it, to our right, and a white viburnum bloom, which is made of dozens of smaller clusters, is above. A tan-colored spider builds a web at the center of these three blossoms. Using the face of a clock to work around this trio, we find a spotted bug on a smaller viburnum and some frosty green leaves at noon. A muted orange moth rests on a stalk nearby. Down the right side, the layered vivid blue petals of a love-in-the-mist explode like a starburst. Two coral-red peonies, a mostly closed peony, a topaz-blue morning glory, and the fuzzy fingers of amaranth bring us to six o’clock. Up the left side are delicate pink crab apple blossoms, a spray of Chinese lanterns, a yellow rose with ants crawling across its splayed petals, a striped morning glory, and a few blue, orange, and red buds. A caterpillar rears up on a Chinese lantern bud and a ladybug sits on a leaf nearby. A few stalks of wheat are scattered throughout. Stems weave through the blue ribbon at the top, which is tied around a protruding nail. The artist signed the lower left corner, “AB Mignon f,” with the AB conjoined in a monogram.

Description from the National Gallery of Art.

Abraham Mignon painted this (probably 1665/1670), aged about 25. It is now at the National Gallery of Art in Washington, DC.

How it was made

Oil on panel
Oil paint on prepared wooden boards, usually oak in the north and poplar in Italy. The rigid, smooth surface suits fine detail and thin, glowing glazes.
Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Abraham Mignon

German, 1640–1679

Rights and the museum’s record

Public domain. The National Gallery of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1992.51.5
Credit
Courtesy National Gallery of Art, Washington
Type
Painting
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