Saint Peter Repentant, previewed as a 16 by 20 inch giclée reproduction.

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Georges de La Tour

French, 1593–1652

Saint Peter Repentant1645

oil on canvas

Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)

Courtesy of the Cleveland Museum of Art · 1951.454

During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 17
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. Georges de La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance. The apostle’s red-rimmed eyes and the uncertain light of the lantern suggest anxious sleepless nights; muted colors and simple forms give visual expression to Peter’s somber emotions. Unlike other artists inspired by Caravaggio, La Tour worked in relative isolation in northeastern France, and his connection to his Italian counterpart remains unclear.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Georges de La Tour

French, 1593–1652 · Born in Vic-sur-Seille; died in Lunéville.

See all 2 works by Georges de La Tour

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1951.454
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
European Painting and Sculpture
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