Amédée-David, the Comte de Pastoret, previewed as a 16 by 20 inch giclée reproduction.

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Jean Auguste Dominique Ingres

French, 1780–1867

Amédée-David, the Comte de Pastoret1823–26

Oil on canvas

103 × 83.5 cm (40 1/2 × 32 3/4 in.); Framed: 129.6 × 110.2 cm (51 × 43 3/8 in.)

Courtesy of the Art Institute of Chicago · 1971.452

This portrait by French painter Jean-Auguste-Dominique Ingres depicts the young count Amédée-David de Pastoret at 32 years old. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 17
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This portrait by French painter Jean-Auguste-Dominique Ingres depicts the young count Amédée-David de Pastoret at 32 years old. One of several paintings he commissioned from Ingres, the portrait highlights the nobleman’s status and swagger. Posing confidently in his finest garments and wearing a medal of the Order of the Legion of Honor, he gazes directly at the viewer with a stern expression.

Text from the Art Institute of Chicago.

What you’re looking at

Portrait of white man dressed in all black with medallion and sword.

Description from the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Jean Auguste Dominique Ingres

French, 1780–1867 · Born in Montauban; died in Paris.

Ingres trained under Jacques-Louis David and won the Prix de Rome, then spent nearly two decades in Italy, absorbing Raphael above all. He became the champion of line and classical tradition against Delacroix’s Romanticism, and later directed the French Academy in Rome. Though he thought history painting his true calling, he is now most admired for his portraits, both his polished oils and the precise graphite drawings he made of visitors in Rome and Florence.

Written by Ochre Editions.

See all 4 works by Jean Auguste Dominique Ingres

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1971.452
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
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