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The 19th century

Works made in the 19th century, anywhere in the world.

731 works · hang 879 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Robert Edwards Carter, by Sarah C. Frothingham, ca. 1840
    Robert Edwards CarterSarah C. Frothingham, ca. 1840Courtesy of the Smithsonian American Art Museum
  2. Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden. Beneath a dense and heavy yellow sky, a small blue triangle suggesting a mountain peak crests above the treeline at far left.
    The Poet's GardenVincent van Gogh, 1888Courtesy of the Art Institute of Chicago
  3. Nishnabottana Bluffs, 1070 Miles above St. Louis, by George Catlin, 1832
    Nishnabottana Bluffs, 1070 Miles above St. LouisGeorge Catlin, 1832Courtesy of the Smithsonian American Art Museum

Section 1, south wall

  1. Lake George, by John Frederick Kensett, 1869
    Lake GeorgeJohn Frederick Kensett, 1869Courtesy of The Metropolitan Museum of Art
  2. Paper Doll Clothing, 1897–98
    Paper Doll ClothingUnrecorded Japanese maker, 1897–98Courtesy of The Metropolitan Museum of Art
  3. Beggars by a Door, by Mariano Fortuny, 1870
    Beggars by a DoorMariano Fortuny, 1870Courtesy of the Cleveland Museum of Art
  4. Luman Reed, by Asher Brown Durand, 1835
    Luman ReedAsher Brown Durand, 1835Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of oil on canvas.
    A Roadside TavernJohan Barthold Jongkind, 1863Courtesy of the Art Institute of Chicago
  2. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago
  3. Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”
    Edouard BlauFrédéric Bazille, probably 1869Courtesy National Gallery of Art, Washington
  4. The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water. The central boat has around eight men in it, all with tan skin and dark hair, dressed in bright garments in shades of red, blue, and gold. Many of them wear plumed helmets and have jewelry or badges adorning them. The boat is heading towards land on the left, and one man stands at the front of the boat, holding a white flag. The land on the left is green, with tall palm trees and a rocky gray mountain. People with dark skin can be seen in on the land in the distance, some climbing the mountain and others standing beneath trees. The sky is a gradient from pinkish-orange near the horizon to light blue at the top of the painting, with a few faint gray clouds.
    The Landing of ColumbusEdward Hicks, c. 1837Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. In My Dream I Saw in the Sky a Face of Mystery, by Odilon Redon, 1885
    In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban.
    Snowy Morning from Koishikawa (Koishikawa yuki no ashita), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
  3. Portrait of Mrs. C--, by Henry Wolf, 1894
    Portrait of Mrs. C--Henry Wolf, 1894Courtesy of the Smithsonian American Art Museum

Section 3, north wall

  1. The Valley of Wyoming, by Jasper Francis Cropsey, 1865
    The Valley of WyomingJasper Francis Cropsey, 1865Courtesy of The Metropolitan Museum of Art
  2. Woman with a Parrot, by Gustave Courbet, 1866
    Woman with a ParrotGustave Courbet, 1866Courtesy of The Metropolitan Museum of Art