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16th-century Germany

Works made in Germany in the 16th century.

28 works · hang 9866 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Landscape with a Double Spruce, by Albrecht Altdorfer, ca. 1521–22
    Landscape with a Double SpruceAlbrecht Altdorfer, ca. 1521–22Courtesy of The Metropolitan Museum of Art
  2. Erasmus of Rotterdam, by Hans Holbein the Younger, ca. 1532
    Erasmus of RotterdamHans Holbein the Younger, ca. 1532Courtesy of The Metropolitan Museum of Art
  3. Head of a Young Woman, by Albrecht Dürer, 1522
    Head of a Young WomanAlbrecht Dürer, 1522Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.
    Madonna and Child at a FountainMaster MZ, 1501Courtesy National Gallery of Art, Washington
  2. A work made of oil on panel.
    The Fall of Man with Scenes of the CreationAugustus Cordus, 1544Courtesy of the Art Institute of Chicago
  3. Arm of Eve, by Albrecht Dürer, 1507
    Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.
    Margarethe Vöhlin [obverse]Bernhard Strigel, 1527Courtesy National Gallery of Art, Washington
  2. Music-Making Angels, by Albrecht Dürer, 1521
    Music-Making AngelsAlbrecht Dürer, 1521Courtesy of The Metropolitan Museum of Art
  3. The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.
    Mountainous Landscape with a VillageHanns Lautensack, 1553Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508
    Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art
  2. Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532
    Hermann von Wedigh III (died 1560)Hans Holbein the Younger, 1532Courtesy of The Metropolitan Museum of Art
  3. This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word "PACIENTIA." On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.
    Pacientia (Patience)Sebald Beham, 1540Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.
    Saint ChristopherLucas Cranach the Elder, 1506Courtesy National Gallery of Art, Washington
  2. This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.
    Italian Joust of PeaceUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading "IMP. CAESAR. TRAIANVS. AVG." Below the portrait are the initials "ISB" and the year "1546". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.
    TrajanSebald Beham, 1546Courtesy National Gallery of Art, Washington
  2. The image shows a central person standing with both arms raised. They have a long beard, aged appearance, long hair, and wear a robe. Three other individuals are around them, reclining or lying on the ground. The setting is an outdoor scene with detailed trees and vegetation. There are initials "I.SP" in the top right corner.
    The Agony in the GardenSebald Beham, 1522Courtesy National Gallery of Art, Washington