Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago 
The Crucifixion of Saint AndrewCaravaggio, 1606–7Courtesy of the Cleveland Museum of Art 
The Angel Departing from the Family of Tobit (?)Giovanni Benedetto Castiglione, c. 1655Courtesy of the Art Institute of Chicago
First room, south wall

A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art 
Christ and the Woman Taken in AdulterySebastiano Ricci, mid-1700sCourtesy of the Cleveland Museum of Art 
The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago
Second room, south wall

The Supper at EmmausGiovanni Battista Piazzetta, c. 1720Courtesy of the Cleveland Museum of Art 
The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago 
A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago
Second room, north wall

The Sacrifice of IsaacFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art
Third room, north wall

Tobias and the AngelFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago
Third room, south wall

View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago 
Rinaldo and Armida in Her GardenGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago