Antique Carved Marble Candelabra Base, previewed as a 16 by 20 inch giclée reproduction.

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Andrea di Lione

Italian, 1610–1685

Antique Carved Marble Candelabra Base1642/44 or 1647/51

Pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper

Primary support: 23.4 × 17.1 cm (9 1/4 × 6 3/4 in.); Secondary support: 26 × 19 cm (10 1/4 × 7 1/2 in.)

Courtesy of the Art Institute of Chicago · 2019.881

Andrea di Lione painted this in 1642/44 or 1647/51, aged about 32. It is now at the Art Institute of Chicago. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 12¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A work made of pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper.

Description from the Art Institute of Chicago.

Andrea di Lione painted this in 1642/44 or 1647/51, aged about 32. It is now at the Art Institute of Chicago.

How it was made

Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Andrea di Lione

Italian, 1610–1685

Baroque

Drama, movement and deep shadow in European art of the 1600s.

More from Baroque

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2019.881
Credit
Courtesy of the Art Institute of Chicago
Type
Drawing and Watercolor
Department
Prints and Drawings
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