Danaëc. 1623
Danaë’s father feared a prophecy that his grandson would kill him, so he imprisoned his daughter to protect her from suitors. More about this work
About this work
Danaë’s father feared a prophecy that his grandson would kill him, so he imprisoned his daughter to protect her from suitors. Yet Jupiter, king of the gods, fell in love with Danaë, and he came to her in the form of gold streaming from the sky. Gentileschi adopted Caravaggio’s method of painting directly from models, pulled to the front of the picture plane, which gives the painting a startling, tangible quality. However, the graceful way he handled paint and human gestures lends the work a poetic quality unique to the artist.
Text from the Cleveland Museum of Art.
How it was made
- Oil paint
- Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.
Orazio Gentileschi
Italian, 1563–1639
Rights and the museum’s record
Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1971.101
- Credit
- Courtesy of the Cleveland Museum of Art
- Type
- Painting
- Department
- European Painting and Sculpture
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
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Close in colour
