Portrait of Charlotte and Sarah Carteret-Hardy, previewed as a 16 by 20 inch giclée reproduction.

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Thomas Lawrence

English, 1769–1830

Portrait of Charlotte and Sarah Carteret-Hardy1801

oil on canvas

Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)

Courtesy of the Cleveland Museum of Art · 1942.642

Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 196 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 13¾ × 17¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour. There was a seemingly insatiable demand for Thomas Lawrence’s portraits representing stylish English society, but he was notoriously slow working. Although this picture was begun in 1801, it still was not finished in 1806 when a friend noted its presence in the artist’s studio.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Thomas Lawrence

English, 1769–1830 · Born in Bristol; died in London.

Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III. After 1815 the Prince Regent commissioned him to paint the leaders of the alliance against Napoleon for the Waterloo Chamber at Windsor Castle. He became President of the Royal Academy in 1820 and was the leading portraitist of his day.

Written by Ochre Editions.

See all 7 works by Thomas Lawrence

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1942.642
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Modern European Painting and Sculpture
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