Water Lilies (Agapanthus), previewed as a 20 by 16 inch giclée reproduction.

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Claude Monet

French, 1840–1926

Water Lilies (Agapanthus)c. 1915–26

oil on canvas

Framed: 204.9 x 430.3 x 6 cm (80 11/16 x 169 7/16 x 2 3/8 in.); Unframed: 201.3 x 425.6 cm (79 1/4 x 167 9/16 in.)

Courtesy of the Cleveland Museum of Art · 1960.81

A skilled horticulturalist as well as an artist, Claude Monet spent the last 30 years of his life painting the private garden he designed and helped cultivate at his home in Giverny in northern France. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 8¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A skilled horticulturalist as well as an artist, Claude Monet spent the last 30 years of his life painting the private garden he designed and helped cultivate at his home in Giverny in northern France. The resultant canvases are notable for their varied motifs, formats, and sizes. Monumental in scale, this rendering of his water lily pond focuses on the momentary effects of sunlight as it both penetrates and reflects off its shimmering surface. By zeroing in on the water and omitting its horizon and surrounding banks, Monet infers a limitless expanse—a perception amplified by the painting’s vast horizontal format that fills the viewer’s field of vision.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Claude Monet

French, 1840–1926

Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874. He made a lifelong study of changing light, painting the Gare Saint-Lazare, haystacks, poplars and Rouen Cathedral in series. From 1883 he lived at Giverny, where he built the water garden that filled the last three decades of his work.

Written by Ochre Editions.

See all 10 works by Claude Monet

Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1960.81
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Modern European Painting and Sculpture
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