Plum Garden at Kameido (Kameido Umeyashiki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", previewed as a 16 by 20 inch giclée reproduction.

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Utagawa Hiroshige

Japanese, 1797–1858

Plum Garden at Kameido (Kameido Umeyashiki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"1857

Color woodblock print; ōban

36 × 24.4 cm (14 3/16 × 9 9/16 in.)

Courtesy of the Art Institute of Chicago · 1925.3752

The gnarled trunk of a plum tree, cut off by the edges of the print, fills the foreground, its branches dotted with white blossom, while visitors stroll among the trees beyond a low fence, against a sky shading from red to white. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 12 × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The gnarled trunk of a plum tree, cut off by the edges of the print, fills the foreground, its branches dotted with white blossom, while visitors stroll among the trees beyond a low fence, against a sky shading from red to white. The tree is the Garyūbai, the Sleeping Dragon Plum, at the Umeyashiki garden in Kameido, one of Edo’s favourite spring sights. Hiroshige’s daring composition, with its huge close-up foreground and tiny distant figures, so impressed Vincent van Gogh that he copied it in oil in 1887. It comes from One Hundred Famous Views of Edo.

Written by Ochre Editions.

What you’re looking at

A work made of color woodblock print; ōban.

Description from the Art Institute of Chicago.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.
Ōban
The standard large Japanese print size, about 38 × 25 cm.

Utagawa Hiroshige

Japanese, 1797–1858

Hiroshige was born into a family of Edo fire wardens and trained under Utagawa Toyohiro. His breakthrough came in the early 1830s with The Fifty-three Stations of the Tōkaidō, scenes along the highway between Edo and Kyoto. He went on to design thousands of landscapes attentive to weather, season and the hour of day, ending with One Hundred Famous Views of Edo, still unfinished at his death. Van Gogh made a painted copy of one of its views, Plum Garden at Kameido.

Written by Ochre Editions.

See all 19 works by Utagawa Hiroshige

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

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Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1925.3752
Credit
Courtesy of the Art Institute of Chicago
Type
Print
Department
Arts of Asia
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