Unknown maker
Krishna Lifting Mount Govardhanc. 1780–90
Krishna supports Mount Govardhan with nothing but his little finger as he gazes into the eyes of his favorite cowherd girl, Radha, and pats the head of a child. More about this work
About this work
Krishna supports Mount Govardhan with nothing but his little finger as he gazes into the eyes of his favorite cowherd girl, Radha, and pats the head of a child. His brother Balarama, with white skin and a blue garment, adds further support with a staff. The cows and members of the herding community all cluster close to Krishna, sheltered from the raging storm sent by Indra riding his white elephant in the sky.
Text from the Cleveland Museum of Art.
How it was made
- Opaque watercolour
- Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
- Gold ground
- Gold leaf laid over a red clay and burnished to a mirror shine, often tooled with punches so it flickers in candlelight. Behind sacred figures it stands for heavenly light.
- Tempera
- Pigment bound with egg yolk. It dries in minutes and can’t be blended wet, so painters built up form with fine, hatched strokes. It was Europe’s main panel technique before oil.
Rights and the museum’s record
Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 2001.45
- Credit
- Courtesy of the Cleveland Museum of Art
- Type
- Painting
- Department
- Indian and Southeast Asian Art
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
Report this work
Close in colour
