Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events), previewed as a 20 by 16 inch giclée reproduction.

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Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events)1670–80

Gum tempera, ink, silver, and gold on paper

26.7 x 42.5 cm (10 1/2 x 16 3/4 in.)

Courtesy of the Cleveland Museum of Art · 2021.12

Dreams foretell important events in Indian literature. In this painting a prince lies half asleep and experiences eight visions, pictured above the reclining figure. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 11¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Dreams foretell important events in Indian literature. In this painting a prince lies half asleep and experiences eight visions, pictured above the reclining figure. At the right, the prince on the throne with the royal umbrella seeks help interpreting the dreams. They predicted the coming of Rishabha, the first Jina, who has been fasting for a full year. The prince then became the first person in the world to give proper alms, or pious offerings, to a Jina. This painting is from a group that is recognized as the first Jain manuscript made in the form of a pictorial series, rather than a handwritten manuscript.

Text from the Cleveland Museum of Art.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Tempera
Pigment bound with egg yolk. It dries in minutes and can’t be blended wet, so painters built up form with fine, hatched strokes. It was Europe’s main panel technique before oil.
Ink on paper
Ink made from soot and animal glue, ground with water on an inkstone. A single brush can give a hair-fine line or a broad wash, and nothing can be corrected.
Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2021.12
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Indian and Southeast Asian Art
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