George Washington, previewed as a 16 by 20 inch giclée reproduction.

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Charles Willson Peale

American, 1741–1827

George Washingtonca. 1779–81

Oil on canvas

95 x 61 3/4 in. (241.3 x 156.8 cm)

Courtesy of The Metropolitan Museum of Art · 97.33

Washington stands at full length, leaning easily on a cannon, with captured enemy flags at his feet and a distant view of the battlefield. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 11½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Washington stands at full length, leaning easily on a cannon, with captured enemy flags at his feet and a distant view of the battlefield. The design celebrates his victories at Trenton and Princeton in the winter of 1776–77. Charles Willson Peale, who had fought in those campaigns with the Philadelphia militia, first painted the composition in 1779 for the Supreme Executive Council of Pennsylvania, and demand was such that he produced a number of replicas for other patrons; this canvas belongs to that group. The relaxed pose presents the commander as a gentleman-soldier, an image suited to the new republic.

Written by Ochre Editions.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Charles Willson Peale

American, 1741–1827 · Born in Chester, Maryland; died in Philadelphia, Pennsylvania.

Peale trained as a saddler in Maryland before turning to painting, and studied in London with Benjamin West. Back in America he served in the Revolutionary War and painted George Washington from life several times, along with many leaders of the new republic. In 1786 he opened a museum in Philadelphia, showing portraits beside natural history specimens, including an excavated mastodon skeleton. He named several of his children after artists, among them Raphaelle, Rembrandt and Rubens, and several became painters.

Written by Ochre Editions.

See all 3 works by Charles Willson Peale

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
97.33
Credit
Courtesy of The Metropolitan Museum of Art
Type
Painting
Department
The American Wing
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